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The compositions of thangkas and block prints follow strict rules. Each figure is associated with a particular colour and depicted with special attributes. Thangkas are hung in temples and monasteries or in private homes, serving as a kind of altar; moreover, on rare occasions they are carried as banners by the monks during religious processions.
The degree of anonymity of the individual artists makes it difficult to talk about actual schools and dramatic new departures in Tibetan art. However, in the southern part of Tibet artists clearly take inspiration from Nepalese tradition, whereas in the northern part of the country they have turned their eyes towards China.
The artistic expression of the artworks is greatly influenced by the fact that the Buddhist monks regard them as a religious act. Buddhist art is almost devoid of any trace of individuality, and the artists are therefore most often anonymous. They are not individual artists in the sense used in the modern post-Renaissance world, but monks who let go of their individuality in favour of a metaphysical world.