Special exhibition
To celebrate that the Astrid Noack Foundation is transferring the Astrid Noack Study Collection over to Holstebro Kunstmuseum, we present the collection in its entirety for the first time with this special exhibition.
You can touch, see and listen. This is not usually the case in a museum but the sensory exhibition FABRICA is different.
Presenting a wide selection of the works that have been incorporated into the museum's collection over the past 7,5 years.
Collection
Colour, form and materiality are closely interlinked in John Olsen’s artistic practice, which continues to draw our attention to the beauty of decay.
STEAM Education
– A joint work created through experiments and learning connecting science and art. Inspired by John Olsen's works.
Works from the museum collection by Olivia Holm-Møller. An artist who, throughout her life, had the courage to go her own way.
A solo exhibition by visual and conceptual artist Jørgen Michaelsen. In general terms, the exhibition expresses itself as a critical-experimental perspective on the tensions that currently characterise the dominant form of consciousness in Western culture.
A retrospective exhibition with Kirsten Christensen on the occasion of the artist's 80th birthday. Christensen has gained renewed attention in recent years, and is particularly known for her ceramic images with fabulating compositions.
The master of materials, ornamentation and figuration, Peter Linde Busk, is back at Holstebro Kunstmuseum.
With Holm-Møller's letter archive as a prism, as well as works by the six artists, the exhibition paint a vivid picture of a hitherto undescribed exhibition community in Danish art.
The exhibition Looming consists of five large digital screens, placed in the room sequence of the Færch Wing in the form of loosely woven fabric partitions – and it is precisely the fabric of the digital that interests author and artist Amalie Smith.
Olivia Holm-Møller’s etchings are among the highlights of 20th-century Danish art. This exhibition presents a selection from the museum's collection.
Through a selection of objects displayed on shelfs, this small collection presentation serves as an introduction to the various facets of Holstebro Kunstmuseum's collection.
The works of these artists from the museum's collection reflect a special appreciation of nature and a spirituality in which nature is animated by a force beyond human comprehension.
Works by Anna Thommesen from the 1940s to the 90s. Here, you can follow the process from watercolour study and pattern-drawing to yarn sample and finished tapestry.
The March Exhibition was one of the most significant artists’ associations of 20th-century Denmark. United in their belief in the tradition-bound nature of art.
Alberto Giacometti (1901-66) was not only a sculptor, but also an outstanding painter, draughtsman and graphic artist. The idea for the principal work Paris sans fin arose during a meeting with the publisher Tériade, at which Giacometti, observing the bustling street life of the French capital after a visit to a café, exclaimed: ″Ah! Paris ... Paris without end!″
As an artist and a collector, Holm Olsen examined the range of human form and scale through af multiplicity of body images.
In 1982, the Astrid Noack Scholarship Foundation decided to deposit a large number of the artist’s original plaster models, sketches and archives at the museum: the Astrid Noack Study Collection.
This exhibition is showing a selection of African masks from Poul Holm Olsen’s collection of traditional African art. Explore the universe of the masks via a screen.
Goya’s graphic series Los Caprichos bear witness to a wild and restless conceptual world, where nightmare-like visions capture the dissonance in the soul of the Spanish people. In the captions, this occurs with reference to mocking expressions and other sayings.
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